The Stories We Tell Character List Sarah Polley. Die Kanadierin Sarah Polley, Jahrgang 1979, hat in "Stories We Tell" 2012 einen Dokumentarfilm über ihre Familie und sich selbst gedreht. Michael Polley frequently "digress[es]" from the pure narration of events to more philosophical concepts, such as the origins of identity and the degree to which we are shaped by our experiences. This collage of voices and creative film styles evoke consciousness, perception, identity and memory. About Writer and Director Sarah Polley Recommended to anyone interested in family research. Stories We Tell is a cine-memoir of Polley's parents, the British-born actor Michael Polley and Canadian actor and casting director Diane Polley. Polley was raised by Diane and Michael. She seemed poised for stardom in the United States after her work in Doug Liman’s “Go” (1999) and Audrey Wells’s “Guinevere” (1999) earned her rave reviews and major industry buzz. In Interviews mit ihren Angehörigen gelingt es ihr so, einen der Kernaspekte sowohl im Erleben als auch im Erzählen von Geschichten herauszuschälen: Subjektivität und nostalgische Verklärung. by Sean Pratt | Sep 17, 2020 | Film Recommendations. Michael Polley - Storyteller : When you're in the middle of a story, it isn't a story at all but rather a confusion, a dark roaring, a blindness, a wreckage of shattered glass and splintered wood, like a house in a whirlwind or else a boat crushed by the icebergs or swept over the rapids, and all aboard are powerless to stop it. She thought about having an abortion, but changed her mind on the way to the clinic. And so many questions and thoughts linger after the movie ends. “I’m interested in the way we tell stories about our lives. Sarah voiced a concern she had during the making of Stories We Tell. Starring Gordon Pinsent and Julie Christie as a married couple coping with Alzheimer’s disease and a lingering history of infidelity, the film won six major Genie Awards, including those for best motion picture, adapted screenplay, and achievement in direction. Yet she eschewed mainstream fame and gave her allegiance instead to the Canadian film industry, backing out of the star-making role of Penny Lane in Cameron Crowe’s Oscar-winning “Almost Famous” (2000) to star in John Greyson’s cryptic “The Law of Enclosures” (2000). She then appeared in several films and television series before scoring leading roles in Terry Gilliam’s epic fantasy “The Adventures of Baron Munchausen” (1988) and the PBS children’s series “Ramona” (1988). “Stories We Tell” is about Sarah Polley’s family – in particular about her mother – Diane – who died of cancer on January 10, 1990 when Sarah was eleven years old. Rated the #27 best film of 2012, and #2399 in the greatest all-time movies (according to RYM users). Eine Art Liebeserklärung an die eigenen Eltern ist Sarah Polleys dokumentarischer Essay, mit dem sich die Filmemacherin auf die Spuren ihrer eigenen Geschichte begibt. Terry Zwigoff) 1994 Yawn. About the fact that the truth about the past is often ephemeral and difficult to pin down,” says Sarah Polley in the enigmatic and affectionate documentary “Stories We Tell.” Memory and how things are remembered becomes a central subject in her film but there’s much more. Wenn Sie nicht alle Cookies akzeptieren möchten oder mehr darüber erfahren wollen, wie wir Cookies verwenden, klicken Sie auf "Cookie-Einstellungen anpassen". It’s not like I was breaking new ground. 4.5 out of 5. Instead she did a low-budget Canadian film “The Law of Enclosures.” She started directing short films and made her feature film directorial debut with “Away From Her” (2006). Jeder weiß etwas zu erzählen aus der Zeit, als Sarah noch ein kleines Mädchen war. ©2020 Santa Barbara International Film Festival. One of my favorite passages is when the plot of “Marriage Italian Style” – the Vittorio De Sica film — gets woven into the chronicle. It has won 22 awards and screened at a slew of film festivals including Sundance and the Venice Film Festival. During her childhood, Polley's siblings teased her because she bore no physical resemblance to Michael. Polley later co-wrote the TV miniseries “Alias Grace” (2017), which was based on the novel by Margaret Atwood. Die Verfügbarkeit von Videos außerhalb von Deutschland kann variieren. Films like ‘The Five Obstructions’ by Lars Von Trier or ‘F for Fake’ by Orson Welles… people have been experimenting with this form for a really long time, but I did feel like I didn’t have…, …Usually when you make a film, you don’t have films in your mind that you’re emulating hopefully, but you know that you have something to think about in terms of what you’re aspiring to and this really felt like grappling in the dark. “Stories We Tell” is about Sarah Polley’s family – in particular about her mother – Diane – who died of cancer on January 10, 1990 when Sarah was eleven years old. He is presented as a... Diane Polley. After starring in Zack Snyder’s hit zombie movie “Dawn of the Dead” (2004) and Wim Wenders’s “Don’t Come Knocking” (2005), she co-starred with Gerard Butler and Stellan Skarsgård in Sturla Gunnarsson’s “Beowulf & Grendel” (2006). Geben Sie es weiter, tauschen Sie es ein, © 1998-2021, Amazon.com, Inc. oder Tochtergesellschaften, Übersetzen Sie alle Bewertungen auf Deutsch, Lieferung verfolgen oder Bestellung anzeigen, Recycling (einschließlich Entsorgung von Elektro- & Elektronikaltgeräten). Zugelassene Drittanbieter verwenden diese Tools auch in Verbindung mit der Anzeige von Werbung durch uns. Presented through real archival footage, as well as super8 reenactments, Polley’s plot twisting brave and candid truth-is-way-more-interesting-than-fiction story is the stuff most other so-called tell all documentaries wish they had the balls to present. Die Kanadierin Sarah Polley, Jahrgang 1979, hat in "Stories We Tell" 2012 einen Dokumentarfilm über ihre Familie und sich selbst gedreht. Oder ist das alles nur Zufall? September 2017. His relationship to Sarah Polley was explored in her documentary Stories We Tell (2012), in which he is featured. Vater Michael(Peter Evans), der Sarah groß gezogen hat, weiß eine Menge über das Zusammenleben mit Diane zu berichten. Wählen Sie eine Sprache für Ihren Einkauf. And when you discover truths like that, how you think about truths within that are concealed.”, Written by Sarah Polley Mit neun Jahren spielte sie in Die Abenteuer des Baron Münchhausen (1988), einem Film von Terry Gilliam. In 2015 Polley was made an Officer of the Order of Canada. In her quietly moving, intelligent documentary “Stories We Tell,” the Canadian actress and director Sarah Polley sat down with relatives and friends and asked them to … Januar 2017. Januar 2014. sarah polleys amazing film - a stylistic masterpiece - arrived in good time to present a much loved xmas present for a dear friend. I was just worried too, like if you haven’t been in the public eye and you put yourself out there and you say things and they are interpreted in another way that you mean or you don’t say things as clearly as you’d like or they are misinterpreted. Mit zehn hatte sie eine Rolle in dem Fernsehfilm Die Macht eines Kindes (1990). Sie befinden sich momentan im Ausland oder leben nicht in Deutschland? Bitte versuchen Sie es erneut. Additionally, she recreates pivotal scenes with actors who look uncannily like the real thing and shoots them in super 8 so they have the feel of home movies. Polley contributed supporting performances to a number of significant films by prominent Canadian directors, such as Thom Fitzgerald’s “The Hanging Garden” (1997), Clement Virgo’s “The Planet of Junior Brown” (1997), Don McKellar’s “Last Night”(1998), and David Cronenberg’s “eXistenZ” (1999). Directed by Sarah Polley Eine Person fand diese Informationen hilfreich, Rezension aus Deutschland vom 24. Mit der Bestellung oder Wiedergabe erklären Sie sich mit unseren, Prime Video (Online-Video wird gestreamt), Rezension aus Deutschland vom 5. Dazu hat sie ihre Verwandten und viele Personen, die ihre Eltern kannten oder kennen, gebeten, zunächst ihre Erinnerungen zu der besonderen familiären Konstellation aufzuschreiben und sie ihr dann vor der Kamera zu erzählen. Her father, Michael Polley, is an actor as well (familiar to anyone who was a fan of the Canadian TV series Slings and Arrows, where, incidentally, Sarah Polley had a role in the third season). Um die Gesamtbewertung der Sterne und die prozentuale Aufschlüsselung nach Sternen zu berechnen, verwenden wir keinen einfachen Durchschnitt. She was concerned that this film would not be interesting enough for an audience. Sie interviewt die komplette Familie, Dianes Freunde und Schauspielkollegen. This was an interesting and different documentary/movie though a little long winded. Melden Sie sich an, um Videos anzuzeigen, die für Sie verfügbar sind. The remarkable aspect of the film is how Polley goes about distilling all of the information and conveying it to us. Die früh verstorbene Mutter Diane(Rebecca Jenkins), ein Energiebündel und Mittelpunkt jeder Gesellschaft, hat zumindest ein Geheimnis mit ins Grab genommen. It’s a love letter to her parents – as well as a way for her to reclaim her own story. The mother was married twice, had at least one affair —that resulted in a daughter who made the documentary. The case was broken. ... und die der Familie Polley ganz sicher. Dann sind da noch Dianes Kinder Susy und John aus Dianes erster Ehe und Sarahs Geschwister Joanna und Mark. She expected that working with Egoyan would make a good coda to her acting career, but instead the film began a new era for her as an artist. Gab es eine Affäre? Very Good Film. Leider ist ein Problem beim Speichern Ihrer Cookie-Einstellungen aufgetreten. 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