We would stage it and shoot it. Raven appears out of the flames to confront Tom. It's not Chicago. Gross would do a draft and Hill would rewrite it. I blamed you but you can't be upset with me. He only takes McCoy's cut and throws the rest back at Billy. [3] The film crew tarped-in the New Street and Brownstone street sets to double for the Richmond District setting, completely covering them so that night scenes could be filmed during the day. When Sara saves a young girl in a burning building, Quentin requests "Delta Charlie 52" on his radio. A mercenary is hired to rescue his ex-girlfriend, a singer who has been kidnapped by a motorcycle gang. Larry [Gordon] and Joel [Silver] would be along on this ride. I had to have a scapegoat. [29], Streets of Fire was intended to be the first in a projected trilogy titled The Adventures of Tom Cody, with Hill's tentatively titling the two sequels The Far City and Cody's Return. 2:17 Streets Of Fire. telling his sister goodbye before leaving to rescue Ellen Aim, Otherworldly Creatures Featured in Exclusive Behind-the-Scenes Photos from Miskatonic U: The Resonator. Streets Of Fire [DVD] [1984]This is one Walter Hill film that will never fade from your memories. It's such a hard-shelled picture that it barely has moods. [3] Originally, plans were made for the song to be featured on the film's soundtrack, to be sung by Ellen Aim at the end of the film, but when Springsteen was told that the song would be re-recorded by other vocalists, he withdrew permission for the song to be used. Report abuse. Firefighters fire up Lyon streets demanding higher pay. I think he thought that I was a needy guy. [24], Janet Maslin of The New York Times criticized the film's screenplay as being misogynistic and "problematically crude. Pretending to like him, McCoy follows him to his special "party room", close to where Raven is playing poker. [3] The actress had been in more than 10 films by the time she did Streets of Fire. The Bombers, a biker gang of another part of town named the Battery, led by Raven Shaddock (Willem Dafoe), crash the concert and kidnap Ellen. [3] The studio claimed that they replaced Springsteen's song because it was a "downer". Later, he goes to the hotel where Ellen and Billy are staying, to collect his reward. Streets of Fire may sometimes buckle under the strain of its ambitious fusion of disparate genres, but Walter Hill's bravura style gives this motorcycle musical fuel to burn. [3], The 'Streets of Fire' script concluded with the expectation that Streets of Fire' will be followed by 'The Long Night,' Book Two in The Adventures of Tom Cody. With Michael Paré, Diane Lane, Rick Moranis, Amy Madigan. The Hollywood they make movies about." "[25], Gary Arnold wrote in The Washington Post that as "romantic leads, Paré and Lane are pretty much a washout", and that "most of the action climaxes are treated as such throwaways that you begin to wonder if they bored the director. Once there, they're trapped in by a black gang considering it their territory. "Joel got off the phone with Universal and said, "We’re dead." [19], The Blasters, who turned down the chance to appear in Hill's 48 Hours, appear in the film performing two songs. The film grossed $8 million in North America, against a production budget of $14.5 million. A mercenary is hired to rescue his ex-girlfriend, a singer who has been kidnapped by a motorcycle gang. And I remember, in the park, Joel saying, 'Today Is What It Means to be Dead'. Streets of Fire is a rock & roll shotgun blast to the senses. I don't know. Report. [3] The Richmond's look was very soft and the colors did not call attention to themselves. In the Battery, they visit Torchie's, where Billy used to book bands. A Texas Ranger and a ruthless narcotics kingpin - they were childhood friends, now they are adversaries... A getaway driver becomes the latest assignment for a tenacious detective. I first saw the film on the big screen, way back in 1984, when it was released. While Reva and McCoy go to a diner to wait for Billy, Tom acquires a cache of weapons, including a pump action shotgun, a revolver, and a lever action rifle. It is another time - Another Place - where the 1950s is mixed with the 1980s. In the real world, if someone insults you a couple of times, you can smack them. [5], Willem Dafoe was recommended by Kathryn Bigelow, who had just made a film with him. Tom finds a window and, as a distraction, starts shooting the gas tanks on the gang's motorcycles; he then reaches Ellen's room, cuts her free and, with McCoy's help, escapes just as Billy arrives at the front door. Why We Love It “The 4.1 stereo mix is a clear improvement over the lossless 5.1 and 2.0 tracks…this is unquestionably the best overall release for Streets of Fire on high-def. However, its failure at … McCoy enters and is stopped by one of the "Bombers". In response to the success of MTV, "Streets of Fire" was almost a feature length music video, which was ahead of it's time. Directed by cult filmmaker Walter Hill (The Warriors, Southern Comfort, 48 Hrs. "He'd say it would be inappropriate to direct this movie if there were any blood", said Gross. They wait until nightfall under an overpass, watching bikers come and go. She described her character as "the first glamorous role I've had". Gross later said he thought Dafoe "may have been the best thing about the film. Introducing Good Morning Vogue, a New Fashion News Show Exploring Our Changing Industry. This was tough stuff to shoot. Joined by ex-soldier and mechanic McCoy who is also in town looking for work, Cody and Fish set out across the rain infested streets inhabited by cops, street gangs and rock fans and into the criminal neighborhood 'The Battery', where Cody, Fish and McCoy prepare to rescue Ellen from the gang. Conceptually. That whole scene was a Walter thing. Don't worry about the script... Then we go to the first edit, the first cut of the movie in the screening room and it's [Jimmy] Iovine and me and Joel Silver... And about 20 minutes into the movie Jimmy turns to me and he goes... this movie is really shitty isn't it? McCoy then knocks him out. While there are thus two versions of the song, only Hartman's version was released commercially. A wanna be blues guitar virtuoso seeks a long lost song by legendary musician, Robert Johnson. 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