The Roots (singing): ...I'm gonna keep on a-walkin', keep on a-talkin', marchin' on to freedom land. Stayed on freedom But only about 16 or 18,000 were registered to vote. (Louverture Films) AP Archive Harold Middlebrook, Student movement leader: And so on the day of the march we could feel the tenseness and the agitation even in the crowd. Rev. ),as well as performances of some of the music that shaped a nation by the likes of The Roots,John Legend,Joss Stone,Wyclef Jean,Richie Havens & The Blind Boys Of Alabama,to mention a few,as well as original film footage of the songs being sung by the people who were clamoring for social change (via newsreel & television film clips). Journalist Elvis Mitchell interviews twenty-two African American leaders, ranging from athletes and academics to politicians, social activists, and artists, providing a series of living ... See full summary ». Dr. Martin Luther King, Jr. (archival): We come down here this afternoon saying that we are tired of police brutality. News interview with Alabama State Senator Engelhardt (archival): "Senator Engelhardt, just was is the Citizen's Council trying to do?" I think in part because if it failed the established leadership wouldn't be blamed for this, and as the new guy he could take all the blame, nobody cared. Carlton Reese Memorial Unity Choir, Birmingham, Alabama (singing): ...There's nothing you can do to me turn around... Julian Bond, Student movement leader: Thank heavens for television. Discover something for everyone this month with some choice picks for the best movies and TV to stream in April. Joanne Bland, Selma protestor: As we climbed the steps of the courthouse, a woman ran to the door, and she had a piece of paper in her hand and she put it on the door. Julian Bond, Student movement leader: And from Montgomery forward you saw in town after town a repetition of what he had done. We shall overcome. Ambassador Andrew Young, Aide to Martin Luther King: Martin called and said, "you need to get here, come on up. This Little Light of Mine. I remember thinking how "white people sure eat early." It took a southern black movement and made it a national multiracial movement. Chuck Neblett, Movement song leader: The dangers of Mississippi is getting shot on the road, getting blown up in your house. Performed by the Carlton Reese Memorial Unity Choir. They told Martin that if he didn't leave town in three days they were gonna bomb the house and kill his wife and baby. Cranford House, The new documentary uses footage from the Civil Rights marches of the 1960s alongside new interviews with people who were there to re-examine what happened and the importance of music … John Seigenthaler, Aide to Attorney General Robert Kennedy: And he made no bones about the fact that he'd break bones. Although things only got far uglier (race riots, lynchings,protest rallies,with the subsequent violence toward the protesters,as well as the Freedom Riders),the move toward civil rights was cemented with the March on Washington,with the Rev.Dr. Search for "Soundtrack for a Revolution" on Amazon.com, Title: Women's Club Written by Florence Reece Bull Connor (archival): Those Kennedys, up there in Washington, that little old 'Bobbysocks' and his brother the president...they'd give anything in the world if we had some trouble here [Birmingham]! Woah and here's to the state of Mississippi... Julian Bond, Student movement leader: Mississippi in the middle 1960s was really the roughest state in the country for black people. Marina Brodskay He thought he had all the bases covered. Performed by the Carlton Reese Memorial Unity Choir Jana Bezdek Oneal Moore: shot NBC News Archives Stayed on freedom Sam Chase Vivian, Civil rights leader: Boy, they were cruelly slamming those kids with those big fire hoses... Rev. Soundtrack for a Revolution, a 2009 film by Bill Guttentag and Dan Sturman, revisits the American civil rights movement with a focus on how the music of protest on picket lines, in jail cells, and in organizing meetings were a source of courage, solidarity, energy, and comfort. You couldn't, you know, when you said to the media and anybody else, "they beat me," there are no bruises and no scars because the rubber hose left you sore on the inside but it didn't break the skin anywhere. Dr. Martin Luther King, Jr. (archival): We will dramatize this whole situation and seek to arouse the conscious of the federal government by marching by the thousands on places of registration all over this state... Rev. Ben Moore, Tracy Pierce, Joey Williams Lindsay Gillette Performed by Dorothy Cotton, This Little Light of Mine Anthony Hamilton Courtesy of So So Def Records Hank Thomas, Freedom rider: In Anniston, the bus pulls over at a little country store. C.T. Showing all 1 items Jump to: Summaries (1) Summaries. Produced by Eric Krasno Mark Downie George Wallace, Alabama Governor, 1963 (archival footage): I draw the line in the dust and toss the gauntlet before the feet of tyranny, and I say segregation now, segregation tomorrow, and segregation forever. You've got to get off of the shore of comfort, self-satisfaction and complacency, and you got to get out there. A documentary on rap music and its rise to global prominence. Written by Len H. Chandler, Jr. And when we got to the Mississippi line, we didn't know what to expect. Mynette Louie, First Assistant Director Performed by Anthony Hamilton, Joss Stone, They decided to pick this newcomer in town, Martin Luther King, to head the boycott. Yes I'm on my way, oh Lord Performed by Lula Joe Williams, I'm Gonna Sit at the Welcome Table Those words come early in Soundtrack for a Revolution, and they form the somewhat tenuous connection between the two halves of Bill Guttentag and Dan Sturman's film.Like Standing in the Shadows of Motown, it is a hybrid of historical documentary and modern performance film, with icons like Julian Bond, Ambassador Andrew Young, … The Library of Congress Ambassador Andrew Young, Aide to Martin Luther King: ...He would laugh and joke about being stabbed, and it was funny. And everybody in Lawson's workshop collapsed in laughter and said, "the Southern white police are not gonna say 'please' and they're not gonna say 'sir' and 'maam.'". 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