So let’s break down the popular Jazz Standard “All of Me” into these three sections: melody, comping, and improvising. One of the best things we can do to be aware of that is to listen to as much music as we can, explore new artists, but don’t be afraid to focus on one artist that really connects with you. in relation to the succinct 64-word refrain.Using an A-B-A-C form, Simons and Marks introduce
ALL OF ME Tab by Jazz Standard. When we genuinely love something, we often learn the most and the easiest. playing and that of his sidemen.His 1942 recording of All of Me is a treat. Looking at the first four bars of “All of Me,” we see two phrases that are very similar. Learn bars 1-4, then when that’s comfortable, learn bars 5-8. Try this through the whole tune, playing the scale over the diatonic chords and the arpeggio over the non-diatonic chords. musicians for whom leading a big band became a financial He began arranging in the 1920s with Fletcher Henderson, While you may love those players, and mixed chords-notes soloing, you might not know where to start.In this lesson, you learn about exercises you can work on to develop this side of your jazz guitar improvisational approach.As well, there’s a study over All of Me that you can learn to bring a practical, musical example of this approach into your playing.Before you learn the study below, you can work on creating your own mixed single note and comping solo over this, or any, To work on this concept in your own playing, use the following outline as a progressive way to work the exercise.When soloing, you can use any device you’re studying, such as Here’s the breakdown for working soloing and comping over any jazz standard in your After you work on the study below, or even before if you feel ready, give these exercises a try over All of Me.Then, take these exercises to any jazz standard you know or are studying to take these concepts further in Now that you know how to practice adding comping to your solos, you can learn a study that mixes single notes and chords over All of Me.In this study, you solo for two bars and then comp for two bars, running the form with that formula for a whole chorus.Once you have this study under your fingers, you can expand upon this exercise to use it as a stepping-stone in your own playing.Because it’s a long solo (32 bars) start learning it one 4-bar phrase at a time. records, leaving a legacy illustrating his great Rowan Pattison is an Australian jazz and contemporary guitarist. Introdução: C Cm G G/F# E7 C D G Bm Am7 D7 C E7 All of me, why not take all of me? Remember to experiment with the notes of the major scale, some notes will sound better than others.
is a marvelous solo on clarinet, an instrument he
I can play the lines here, but the emphasis is not right. sung; its lyrics add little and almost seem to ramble The beautiful thing about jazz repertoire is that wherever you are in the world, regardless of language barriers or cultural differences, there are certain jazz standards that other people will know. Your comments are welcome, including why you like
[C E Dm G F A Am Em D Cm Eb] Chords for All of Me - Jazz Standard with capo transposer, play along with guitar, piano, ukulele & mandolin.
D7 Dm7 G7 G7+5 Take my arms, I’ll never use them. Praising the Marks/Simons composition, the SHOF comments,Truly a Towering Song, All Of Me, first introduced by the singing star The lyrics for All of Me elaborate on the sentiment,The 20-bar introductory verse is almost never E7 Am Take my lips, I want to lose them. Sheet music arranged for Piano/Vocal/Chords, and Singer Pro in F Major (transposable). By JGO. Try playing the melody and using the framework we have gathered from the scale and arpeggios to elaborate upon the melody, it can be as simple as adding a few notes or changing up the rhythmThe final technique we will look at is the use of a rhythmic motif. So whenever you see these chords, the tune is diatonic to C major, meaning it stays within the notes of the C major scale. All Of Me chords. When learning a standard on guitar, I like to break each piece down into three equally important parts. All the techniques in this article can be used on any jazz standard, the next step will be to explore more the foundations of more techniques that make up jazz and improvisation before we start to focus on specific areas. The development of improvisation comes from a thorough understanding and internalization of the melody and harmony. The first phrase spells a C major triad, descending from the root and landing on the 3rd. JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most. Try putting rhythm A twice, followed by rhythm, B or vice versa. Right now, the best thing we can do to start our journey into jazz and improvisation is to learn our first tune! Although it's 75 years old, Willie put life into this classic. CMaj7 E7 A7 Dm7 E7 Am7 D7 Dm7 G7 CMaj7 E7 A7 Dm7 F Fm CMaj7 Em7 A7 Dm7 G7 C6 E 7 (Fim) Dm7 G7 (Medium Swing) A B All of Me Simone/Marks. A7 B Bm5-/7 E7 Can't you see, I'm no good without you. Learning the melody correctly and with great phrasing will help you develop as a strong jazz musician. ALL OF ME Tab by Jazz Standard. trumpeter and arranger, was among a group of talented As guitarists, comping is important because we will often be playing this role when performing with a singer, saxophone, or any other melodic instrument. their title and melodic hook two times in the first The C will be found on the third fret and the E7 on the seventh fret. G B7 Your good bye left me with eyes that cry, Em B+ Bm5-/7 E7 And I know I'm no good without you. Although a stylistic choice, it is often common practice to build improvisation around the melody, particularly with older, more melodic standards like “All of Me.” This gives your improvisation context and allows for melodic development and can be much more relatable to the audience.
ALL OF ME Tab by Jazz Standard. When we genuinely love something, we often learn the most and the easiest. playing and that of his sidemen.His 1942 recording of All of Me is a treat. Looking at the first four bars of “All of Me,” we see two phrases that are very similar. Learn bars 1-4, then when that’s comfortable, learn bars 5-8. Try this through the whole tune, playing the scale over the diatonic chords and the arpeggio over the non-diatonic chords. musicians for whom leading a big band became a financial He began arranging in the 1920s with Fletcher Henderson, While you may love those players, and mixed chords-notes soloing, you might not know where to start.In this lesson, you learn about exercises you can work on to develop this side of your jazz guitar improvisational approach.As well, there’s a study over All of Me that you can learn to bring a practical, musical example of this approach into your playing.Before you learn the study below, you can work on creating your own mixed single note and comping solo over this, or any, To work on this concept in your own playing, use the following outline as a progressive way to work the exercise.When soloing, you can use any device you’re studying, such as Here’s the breakdown for working soloing and comping over any jazz standard in your After you work on the study below, or even before if you feel ready, give these exercises a try over All of Me.Then, take these exercises to any jazz standard you know or are studying to take these concepts further in Now that you know how to practice adding comping to your solos, you can learn a study that mixes single notes and chords over All of Me.In this study, you solo for two bars and then comp for two bars, running the form with that formula for a whole chorus.Once you have this study under your fingers, you can expand upon this exercise to use it as a stepping-stone in your own playing.Because it’s a long solo (32 bars) start learning it one 4-bar phrase at a time. records, leaving a legacy illustrating his great Rowan Pattison is an Australian jazz and contemporary guitarist. Introdução: C Cm G G/F# E7 C D G Bm Am7 D7 C E7 All of me, why not take all of me? Remember to experiment with the notes of the major scale, some notes will sound better than others.
is a marvelous solo on clarinet, an instrument he
I can play the lines here, but the emphasis is not right. sung; its lyrics add little and almost seem to ramble The beautiful thing about jazz repertoire is that wherever you are in the world, regardless of language barriers or cultural differences, there are certain jazz standards that other people will know. Your comments are welcome, including why you like
[C E Dm G F A Am Em D Cm Eb] Chords for All of Me - Jazz Standard with capo transposer, play along with guitar, piano, ukulele & mandolin.
D7 Dm7 G7 G7+5 Take my arms, I’ll never use them. Praising the Marks/Simons composition, the SHOF comments,Truly a Towering Song, All Of Me, first introduced by the singing star The lyrics for All of Me elaborate on the sentiment,The 20-bar introductory verse is almost never E7 Am Take my lips, I want to lose them. Sheet music arranged for Piano/Vocal/Chords, and Singer Pro in F Major (transposable). By JGO. Try playing the melody and using the framework we have gathered from the scale and arpeggios to elaborate upon the melody, it can be as simple as adding a few notes or changing up the rhythmThe final technique we will look at is the use of a rhythmic motif. So whenever you see these chords, the tune is diatonic to C major, meaning it stays within the notes of the C major scale. All Of Me chords. When learning a standard on guitar, I like to break each piece down into three equally important parts. All the techniques in this article can be used on any jazz standard, the next step will be to explore more the foundations of more techniques that make up jazz and improvisation before we start to focus on specific areas. The development of improvisation comes from a thorough understanding and internalization of the melody and harmony. The first phrase spells a C major triad, descending from the root and landing on the 3rd. JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most. Try putting rhythm A twice, followed by rhythm, B or vice versa. Right now, the best thing we can do to start our journey into jazz and improvisation is to learn our first tune! Although it's 75 years old, Willie put life into this classic. CMaj7 E7 A7 Dm7 E7 Am7 D7 Dm7 G7 CMaj7 E7 A7 Dm7 F Fm CMaj7 Em7 A7 Dm7 G7 C6 E 7 (Fim) Dm7 G7 (Medium Swing) A B All of Me Simone/Marks. A7 B Bm5-/7 E7 Can't you see, I'm no good without you. Learning the melody correctly and with great phrasing will help you develop as a strong jazz musician. ALL OF ME Tab by Jazz Standard. trumpeter and arranger, was among a group of talented As guitarists, comping is important because we will often be playing this role when performing with a singer, saxophone, or any other melodic instrument. their title and melodic hook two times in the first The C will be found on the third fret and the E7 on the seventh fret. G B7 Your good bye left me with eyes that cry, Em B+ Bm5-/7 E7 And I know I'm no good without you. Although a stylistic choice, it is often common practice to build improvisation around the melody, particularly with older, more melodic standards like “All of Me.” This gives your improvisation context and allows for melodic development and can be much more relatable to the audience.