Apparently Devdas was received with great enthusiasm in every generation and any changing trend. Analysis of Devdas. He grew up in the lush village of Taj Sonapur, where he spent his childhood, indulged by his lovely playmate Paro. But Devdas merely comes close to the girl and asks her how she is, thus building a scene to an unpredictable anti-climax in a film spilling over with dramatic twists and turns and human tragedy. 139–60. Hey, I swayed, I swayed, I swayed. Sarat Chandra Chatterjee, a then-frequent visitor at the New Theatres studio in south Calcutta, told Barua after seeing Devdas, "It appears that I was born to write Devdas because you were born to recreate it in cinema." This classic masterpiece sensitively criticizes the feudalistic society that prevailed. Cookies help us deliver our services. The slow, soft and cleverly modulated dialogue became a hallmark not only of Barua’s but all of New Theatres’ films. The name Devdas has Water element. This was Barua's second of three language versions, the first being in Bengali and the third in Assamese. Gender of Devdas. 13 It is possible that Barua was familiar with German expressionist films, as he uses parallel editing to convey telepathy between lovers, emphasising a supernatural and otherworldly connection between them. Poonam Arora, ‘Devdas: Indian Cinema’s Emasculated Hero, Sado-Masochism, and Colonialism’ in The Journal of South Asian Literature, Vol. Ashis Nandy, ‘Invitation to an Antique Death: The Journey of Pramathesh Barua as the Origin of the Terribly Effeminate, Maudlin, SelfDestructive Heroes of Indian Cinema’ in Pleasure and the Nation: The History, Politics, and Consumption of Public Culture in India, Rachel Dwyer and Christopher Pinney (eds), New Delhi: Oxford University Press, 2001, pp. Music: Timir Baran. The film is a complete departure from the then prevalent theatricality in acting, treatment and dialogue. Lyrics: Bani Kumar. Rather than dialogue in a florid style as was prevalent then, Barua who had been exposed to European naturalistic trends ensures the dialogue in the film is what one speaks in real life. A ‘mythological reference point for Hindi melodrama’, 2 Chidananda Dasgupta, the pioneering film critic noted with a mixture of irritation and wonder: “it is surprising that this immature piece of fiction3 should have created such an archetypal hero, a romantic, self-indulgent weakling, who finds solace in drink and the bosom of a golden-hearted prostitute.”4, Is Devdas ‘only a weakling who finds solace in drink?’ 5 In a passionate defence of the film,6 Nandy attempts to restore director P. C. Barua’s rightful place in the canon of Indian cinema greats. Never once betraying her husband in deed, in her heart she still loves only Devdas. Right now: 1. In Bengali origin the meaning of name Devadas is : Follower Of God, A Famous Bengali Novel. Hey dola re dola re dola re dola. And that too is with almost 40 percent of it destroyed. Avoiding stereotypes and melodrama, Barua raises the film to a level of noble tragedy. By using our services, you agree to our use of cookies. The name Devdas having moon sign as Cancer is represented by The Crab and considered as Cardinal . From the city, Devdas writes an insincere letter to Paro: ‘It never occurred to me that I desire you’. 15 But the god fails and through the course of the film Devdas becomes a fallen hero who has taken the self-destructive road to his own end. 130–64. Oh, my heart swayed, my spirit swayed. The great physical distance that separates them and Devdas anxiety to redeem a promise is skillfully conveyed through some stunning use of parallel cutting. Kishore Valicha, The Moving Image: A Story of Indian Cinema, Hyderabad: Orient Longman, 1988, pp. Director: Pramatesh Barua (P. C. Barua). His songs in the film Balam Aaye Baso Mere Man Mein and Dukh ke Din Ab Beete Nahin became smash hits and set the tone for a glorious filmic career till his death in 1947. … As an actor, Pramathesh abhorred melodrama. What we see are his weaknesses, his narcissism, his humanity as he is torn by driving passion and inner-conflict. Meanwhile, Devdas has degenerated from drink to oblivion. The Directorate of Film Festivals had to borrow a copy of India's first film version of this from the Bangladesh High Commission in order to screen it during the Devdas retrospective here on Delhi on Oct 2002 at Delhi Film Festival. This was Barua's first of three language versions of the story, the second being in Hindi and the third in Assamese. Sarat Chandra was sympathetic to the woman - repressed at home and tortured outside. Gayatri Chatterjee, Awaara, New Delhi: Wiley Eastern, 1992; rpt. Devdas Statistics . He played the title role in it, where the other stars were Biswanath Bhaduri, Uma Shashi, Kundan Saigal and Chandrabati. Dialogue and Lyrics: Kidar Sharma. The ritual that most signifies a Bengali style wedding is the ritual of Shubho Drishti, where the bride covers her face with a betel leaf … Arora,11 in a complex reading of the film’s sadomasochistic undercurrent in the relationships between men and women sees in the film’s psychosexual dynamics a resistance to colonialist ideology. And much later, when he reached out to her, it was too late as she was far too humiliated. Barua initiated a style of acting which was natural and unaffected; his method was to underplay, to convey emotion through the slightest tremor of the voice and use significant pauses between the dialogue to telling effect. KL Saigal played Devdas in the Hindi version (Barua himself played the role in the Bengali version) and the film took him to cult star status. His wilful manner of moving towards self-destruction could be read as his casual indifference to the village that he once belonged to, a village he now responds to with mixed feelings. See Ziauddin Sardar in Nandy (1998), pp. Production Company: New Theatres. The dialogue too, was simple, everyday speech, without dramatic flamboyance or literary flourish. Currently, there is only one copy of the film which belongs to the Bangladesh Film Archives, of which almost 40 percent is destroyed.[2]. The harsh, heartless reality of the city has changed his perspective towards the village. But that's not the only missing classic from India's repertoire, says Nair. Even the lead character Devdas has no heroic dimensions to his character. The sentimental love story of the self-destructive Devdas, his childhood love Paro, and the reformed prostitute Chandramukhi, adapted from the eponymous novel by Sarat Chandra Chatterjee (1917) is Indian cinema’s oft-told tale. It tried to explore the inner pain of this man, torn between the pull he feels towards his village roots and his wish to run away to the city to escape from the tragic reality of a lost love. Thanks to some recent hits in Bollywood like Devdas, Vicky Donor, Barfi to name a few, Bengali weddings have suddenly become popular among youth even outside Bengal. Nandy traces the biography of P. C. Barua, the handsome, charismatic and talented son of the Raja of Gauripur, and his links with the fictional Devdas, and shows Barua himself as a Saratchandra hero inhabiting a Saratchandra universe. Devdas is a 1935 Bengali film directed by Pramathesh Barua and based on the Sharat Chandra Chattopadhyay novel, Devdas. The film was sent through diplomatic bag by the Bangladesh government and the screening was conducted under strict vigil, no video clips, no photographs, no extracts on television — as the copyright belongs to the Bangladesh Film Archives. 17 His overarching emotion is self-pity rather than anger, and audiences identify with his pathology rather than emulate him as a hero. When Devdas vomits blood during his travels, the camera cuts in to show a plate of floral offerings fall off Parvati's hands, far away in her matrimonial home. ভালো। Bhālo. 3. P. K. Nair, ‘The Devdas Syndrome in Indian Cinema’, Cinemaya 56/57, Autumn–Winter 2002, pp. Actually there are many words. The script of Devdas was being written while Pramathesh was already shooting Rooprekha. Stinging from the insult, Paro’s family hastily arranges her wedding to a wealthy, elderly widower with grown children. Director: P. C. Barua. Oblivious of all the differences of status and background, a bond that would never break grew between them. Cast: K. L. Saigal (Devdas), Jamuna (Parvati/Paro), Rajkumari (Chandramukhi).]. Raichand Boral was the music director. ], [Devdas (Hindi, 1935). Saigal remains the prototype of Devdas till today, no mean feat considering screen giants such as Dilip Kumar, Akkineni Nageswara Rao and Soumitra Chatterjee repeated the role later. But he dies just before she can see him even as the massive gates of her feudal home shut her inside. Over the years, the novel has gained the reputation of a classic. * ভালো আছো? Saigal as Devdas, Jamuna Barua as Parvati and Rajkumari as Chandramukhi. In Southern India, a devadasi was a female artist who was dedicated to worship and serve a deity or a temple for the rest of her life. The Bengali film was dubbed into Tamil and released in 1935. Hasn’t added any information. 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